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4-11 Using Both Fresh and Unconventional Materials by Ms.Kazuko Nakada
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Sogetsu Curriculum 3-6

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4-11 Using Both Fresh and Unconventional Materials by Ms.Kazuko Nakada
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Sogetsu Curriculum 4-11 Using Both Fresh and Unconventional Materials Kazuko Nakada

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4-11 Using Both Fresh and Unconventional Materials by Ms.Kazuko Nakada
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Sogetsu Curriculum 4-11 Using Both Fresh and Unconventional Materials Kazuko Nakada

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4-12 Focusing on the Uses of Water by Ms.Kumiko Kato
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Sogetsu Curriculum 4-12 Focusing on the Uses of Water Kumiko Kato

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4-12 Focusing on the Uses of Water by Ms.Misei Ishikawa
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4-12 Focusing on the Uses of Water by Ms.Misei Ishikawa Let’s arrange the flowers with water in mind as a key element. This allows for expressions that evoke a sense of coolness.

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4-13 Dried, Bleached, or Colored Materials by Ms.Koei Sawada
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 4-13 Dried, Bleached, or Colored Materials by Ms.Koei Sawada

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4-14 Keeping in Mind the View from Below by Ms.Gaho Isono
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Sogetsu Curriculum 4-14 Keeping in Mind the View from Below Gaho Isono

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4-15 Keeping in Mind the View from Above by Ms.Seishu Okamoto
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4-15 Keeping in Mind the View from Above by Ms.Seishu Okamoto

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4-15 Keeping in Mind the View from Above by Ms.Koei Sawada
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Sogetsu Curriculum 4-15 Keeping in Mind the View from Above Viewing an arrangement from above can reveal new perspectives and discoveries.

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4-15 Keeping in Mind the View from Above by Ms.Misei Ishikawa
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Sogetsu Curriculum 4-15 Keeping in Mind the View from Above Misei Ishikawa

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4-16 Paying Attention to the Container and to the Place Where the Arrangement will be Put by Ms.Kumiko Kato
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4-16 Paying Attention to the Container and to the Place Where the Arrangement will be Put by Ms.Kumiko Kato

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4-16 Paying Attention to the Container and to the Place Where the Arrangement will be Put by Ms.Seishu Okamoto
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Sogetsu Curriculum 4-16 Paying Attention to the Container and to the Place Where the Arrangement will be Put Consider not only the container but also the surface on which it is placed as part of the composition.

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